Laute Nacht was a live concert production at the Pfadfinderlager WoidLa 24, featuring the band Coffee Rush. I worked as the director at the live video mixer, coordinated the camera setup, created the technical plan, and oversaw the post-production.
The project included six weeks of preparation, a full test build at FH St. Pölten, and a two-day setup on location before the live event. The concert was broadcast with a multi-camera setup, live cut, and feed to a videowall, followed by two days of post-production in DaVinci Resolve with light color grading and title design.
Role: Director (live video mixing), post-production, planning & design within a team of 7
Tech: Shot on a 6 camera setup incl. gimbal, crane and cablecam and post-pro with DavinciResolve
Production time: ~8 weeks
Platform: Youtube and live video wall
Language: German
Poster (detail)
Video wall and stage
Live mixing
Video
WoidLa 24 was the regional scout jamboree of Lower Austria in summer 2024, bringing together thousands of participants . One of the highlights of the program was the concert night “Laute Nacht”, featuring the Styrian event band Coffee Rush .
Coffee Rush is known for their wide-ranging repertoire, from jazz and Austropop to rock and party music. They regularly perform at weddings, balls, and large events, and here too they managed to energize the crowd for several hours.
Our team was responsible for the entire live production.
Pre-production spanned six weeks and included planning, gear allocation, and a full rehearsal setup at FH St. Pölten. On site, the setup took two days, with cable routing, rigging the jib and CableCam, and testing all connections. The concert was shot with six cameras, live mixed, and simultaneously fed to the videowall. Post-production lasted only a few days and focused on editing, correcting color and exposure shifts, and adding titles and credits.
Multi-camera setup with a mix of broadcast and mirrorless cameras
Use of jib arm and CableCam for dynamic perspectives
Blackmagic ATEM system for live mixing and Hyperdeck for recording
Integration of videowall feed during the concert
Audio captured via Yamaha digital mixer and Rode NTG-2 microphones
Post-production in DaVinci Resolve for editing and grading
Scale of production: Setup took twice as long as expected due to complexity
Unreliable gear: HDMI-to-SDI converters and some cameras had dropouts, fixed live by switching to backup cameras
New hardware: First experience with broadcast cameras led to a temporary white balance issue
Lighting changes: As night fell, cameras required repeated live adjustments
Improvisation: The band did not always follow the planned setlist, requiring quick, on-the-fly direction during the live cut
This production was my first large-scale live event as director and taught me how crucial technical planning, redundancy, and flexibility are in broadcast workflows. Staying focused for over two hours of live cutting was demanding but rewarding, and I learned to manage both technical troubleshooting in real time and creative decisions under pressure.
The project also gave me valuable insights into working with broadcast cameras, integrating complex setups with a limited budget, and the importance of teamwork and clear communication in a live environment